At the time I accepted the invitation to lead worship at an acquaintance’s wedding, he told me that there would be sound equipment at the wedding chapel that I could use. All I had to do was show up with a guitar. Great! That simplifies things…
The first sign of trouble was the green, spit-bleached foam windscreen cover on the Samson SM58 knockoff. “I can take that off,” I thought to myself as I set up my guitar stand. After giving a copy of the set to the pianist, I finished setting up got a closer look. Embedded in the grill of the mic was dried bits of food.
I was literally singing into someone’s pre-chewed salad.
I stood so far away from that mic, not using it would have been equally effective.
“This must never happen again,” I thought to myself. When I got home that night, I went online and ordered a mic.
Sharing a mic can be almost as bad as sharing a toothbrush. A few of the more thoughtful churches I’ve visited have cleaned shared mics after each service with telephone disinfecting wipes. This is better than nothing, but there’s still a lot of gunk that gets absorbed by the foam behind the metal grill.
Hygiene aside, you may want to consider buying your own mic because you prefer the way it sounds to what is provided. Most churches I’ve visited provide something akin to the Shure SM58, a legendary mic, to be sure, but I’ve always found it dull and uninspiring.
A few notes on mic technology: Most mics are one of two flavors, Dynamic or Condenser. Shure has a great technical write up on the differences, but here’s my thought on the differences in three sentences. Dynamic mics are cheap and sturdy, but have a duller sound quality. Condenser mics are expensive and fragile, but sound more open and sparkly. Condenser mics also require the soundboard to send them power (called phantom power), and will not work if the soundboard can’t provide this power (unless you have an external power supply). This really isn’t as concerning as it sounds as almost all soundboards made in the 20 years have phantom power built in, but it’s worth noting.
Here’s a few of the choices that I have experience with and can recommend, and I’ve listed an alternative in each class that are worth a look too.
Street Price: ~$100
The Shure SM58 is the industry standard microphone. It’s the Honda Civic of Mics; It’s cheap, indestructible, and doesn’t sound bad. It’s a great first mic. Also, I’d consider this the minimum standard of mic to purchase, don’t bother buying anything less. Beware, the SM58 is the most counterfeited mic in the industry (yes, people make fake mics); only buy from a authorized Shure dealer or you may end up with a low quality knockoff.
Alternative: Sennheiser e835
Shure SM86/Beta 87
Street Price: SM86: $180, Beta 87:$250
These are the Cadillacs of the mic world. The Beta 87 might be the second most common mic that I’ve seen in churches, and it was my first introduction to stage condenser mics. I noticed the difference with the first note I sang into it; the mic had a open, shimmery, studio-esque quality to it. I knew I’d never go back to a dynamic mic. That said, I wouldn’t buy one because…
…the SM86 is, in my opinion, Shure’s best kept secret. It’s the lower cost SM version of the Beta 87 and it sounds just as good to my ear, for ~$70 less than the Beta.
Alternative: Heil PR 35 (Note: Dynamic Mic)
Neumann KMS 105
Street Price: ~$700
This is the BMW 7 series of Mics. German engineered, super expensive, probably more mic than anyone needs. I had used Neumann mics in the studio and based on that experience, when I was choosing a mic for myself, their stage mic was at the top of my list. I didn’t have a wife and kids back then and I was leading worship a few days a week, so a $700 mic somehow seemed perfectly reasonable (how things change!). If you’ve got the expendable income, this mic is, in my opinion, unrivaled, but if I had to replace mine now, I’d probably get the SM86 for the best price-to-value ratio.